{∅, {∅}, {∅, {∅}}} : Rage Against the Meat Grinder

What it amounts to is this. For more than two centuries now, the human mind has been constantly a prey to these energy vampires. In a few cases, the vampires have been able completely to take over a human mind and use it for their own purposes. For example, I am almost certain that De Sade was one of these 'zombis' whose brain was entirely in the control of the vampires. The blasphemy and stupidity of his work are not, as in many cases, evidence of demonic vitality, and the proof of it is that De Sade never matured in any way, although he lived to be 74. The sole purpose of his life work is to add to the mental confusion of the human race, deliberately to distort and pervert the truth about sex.

As soon as I understood about the mind vampires, the history of the past two hundred years became absurdly clear. Until about 1780 (which is roughly the date when the first full-scale invasion of mind vampires landed on earth), most art tended to be life-enhancing, like the music of Haydn and Mozart. After the invasion of the mind vampires, this sunny optimism became almost impossible to the artist. The mind vampires always chose the most intelligent men as their instruments, because it is ultimately the intelligent men who have the greatest influence on the human race. Very few artists have been powerful enough to hurl them off, and such men have gained a new strength in doing so - Beethoven is clearly an example; Goethe another. And this explains precisely why it is so important for the mind vampires to keep their presence unknown, to drain man's lifeblood without his being aware of it. A man who defeats the mind vampires becomes doubly dangerous to them, for his forces of self-renewal have conquered. In such cases, the vampires probably attempt to destroy him in another way - by trying to influence other people against him.  We should remember that Beethoven's death came about because he left his sister's house after a rather curious quarrel, and drove several miles in an open cart in the rain.  At all events, we notice that it is in the nineteenth century that the great artists first begin to complain that 'the world is against them'; Haydn and Mozart were well understood and appreciated by their own time. As soon as the artist dies, this neglect disappears - the mind vampires loosen their grip on people's minds. They have more important things to attend to. In the history of art and literature since 1780, we see the results of the battle with the mind vampires. The artists who refused to preach a gospel of pessimism and life devaluation were destroyed. The life-slanderers often lived to a ripe old age. It is interesting, for example, to contrast the fate of the life-slanderer Schopenhauer with that of the life-affirmer Nietzsche, or that of the sexual degenerate De Sade with that of the sexual mystic Lawrence.   Apart from these obvious facts, I have not succeeded in learning a great deal about the mind vampires. I am inclined to suspect that, in small numbers, they have always been present on earth. Possibly the Christian idea of the devil arises from some obscure intuition of the part they had played in human history: how their role is to take over a man's mind, and to cause him to become an enemy of life and of the human race. But it would be a mistake to blame the vampires for all the misfortunes of the human race. Man is an animal who is trying to evolve into a god. Many of his problems are an inevitable result of this struggle.

Along the way, those who ACTUALLY face reality/mortality do not pass their genes; they gamed the system, so to speak.