I would say this life is stranger than any movie. Far worse. Far more painful.
Yes, I was going to pull the projector from under the cot and view that film Silenus suggested, the one with the unwritten diary, but I am opting for the far less annoying (not involving wires and computers) "stealing away the night" observing my own little existential crisis unfold. There may be no cure, no salvation, from the ego-crushing acceptance of our frailty, vulnerability, and utter dependence, not only upon Nature and natural resources, but on the gargantuan artifice that is this global industrialized civilization with its nooks and crannies of inner cities and zones of child-armies, refugee camps, a growing army of damnificados (victims of the flood), not to mention the everyday gort experiencing anxiety attacks cruising at 80 miles per hour in their four cylinder Toyota beside an 18-wheeler down the Jersey Parkway (trucks can drive on turnpikes and parkways now). My life literally depends on trucks hauling chicken carcasses, eggs, and almond butter to the grocery stores, while simultaneously threatening to decapitate me while transporting the product to the delivery location.
Holden, not only is life far more horrific than films can depict, but it is also mundane, redundant, and worse of all, indifferent. We each allow ourselves to see only as much as we can handle at any given moment. If we find others don't like our company, if they request we stay quiet in their presence, then, most likely, they are showing symptoms of not being able to handle your "wavelength." You see too much, feel too much, and are "too deep." It's almost cliché.
The scene in a Dostoevsky novel, where the woman claims the protagonist "talks like a book," I have also experienced the icy coldness of a world where "all she wants to do is dance" and inject a steady flow of positive income into her Savings Account, deal with all her complicated "health issues," etc … I have witnessed and experienced what is referred to as "the empty space" in a book about a study of suicide called "The Savage God".
This empty space is what a drinker feels when he has run out of money at "the bar." No pay? No cold beer, no music, hit the road Jack.
Empty sidewalks … except for the mugger who wants your loose bills, the ones you don't have for a beer.
Waking up in the woods, shivering from the damp ground, maybe catching Pneumonia, creeping out of the woods like a zombie towards ANY convenience store for a cup of black coffee and a hard roll - NOT TO MENTION WATER as you will be dying of thirst.
We FEEL all the distress of a living organism, with subjective intensity that cannot be captured in art. They say (Schopenhauer says) music captures this, but, as you know, he lived a certain lifestyle connecting him to the arts … he was "cultured." His mom is probably to thank for that, whereas his Pops seemed more intent on training his son in business and finance, where multi-lingual skills are an asset for international trade.
Just as I struggle to forgive the actual Buddha of Hindu origin for being born the son of a wealthy "Lord," so too I must forgive Arthur for being born the son of such a shrewd businessman and such a woman as his mother. She had literary ambitions and published "romance" novels (trash, most likely - like Soap Opera shiit).
Meanwhile, I am processing my own conflicting feelings revolving around my own mother. The fact that she is the ape who birthed me is not missed on me. I have an animal-bond with her that even I do not fully comprehend. I may have no choice but to care for her even if she drives me crazy in the process.
Ignatius Reilly ran from the home of his crazy mother because she was having him locked up "for a rest" at the Charity Hospital. He ran into the car of an even crazier so-called "girlfriend." Toole was sending a clear message about the possible "enemies" in our own lives. How did he view his own mother? Did he not feel guilty that his parents were having trouble "with money" (paying BILLS, rent, etc: EXPERIENCING INTENSE anxiety, the kind known by "modern man") - the terror of homelessness or institutionalization.
Well, in the story, the reader is left hanging wondering what kind of disaster awaits Ignatius around the next bend; but in real life, well, that ambulance is turning around, calling for police back-up, and poor Ignatius might be subdued and apprehended. His notebooks would have been lost in the car of the crazy "girl friend."
How does anyone get through without breaking down in tears?
We take a deep breath, eventually, I suppose. Or, we become bitter and cynical, like a child who has just come to realize that the game is rigged, and that the entire adult world has conspired to con him.